(Debating Otaku in Contemporary Japan) PDF NEW ½ Patrick W. Galbraith
Patrick W. Galbraith ✓ 7 read
characters Debating Otaku in Contemporary Japan 107 Icance of the 'otaku' phenomenon in Japan and the worldBy going back to original Japanese documents translating key contributions by Japanese scholars and offering sustained analysis of these documents and scholars Debating Otaku in Contemporary Japan provides alternative histories of and approaches to 'otaku' For all students and scholars of contemporary Japan and the history of Japanese fan and consumer cultures this volume will be a foundation for understanding how 'otaku' at different places and times and to different people is meaningful.summary Debating Otaku in Contemporary Japan
characters Debating Otaku in Contemporary Japan 107 With the spread of manga Japanese comics and anime Japanese cartoons around the world many have adopted the Japanese term 'otaku' to identify fans of such media The connection to manga and anime may seem straightforward but when taken for granted often serves to obscure the debates within and around media fandom in Japan since the term 'otaku' appeared in the niche publication Manga Burikko in 1983 Debating Otaku in Contemporary Japan disrupts the naturalization and trivialization of 'otaku' by examining the historical contingency of the term.
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characters Debating Otaku in Contemporary Japan 107 As a way to identify and contain problematic youth consumers and fan cultures in Japan Its chapters many translated from Japanese and available in English for the first time – and with a foreword by Otsuka Eiji former editor of Manga Burikko – explore key moments in the evolving discourse of 'otaku' in Japan Rather than presenting a smooth triumphant narrative of the transition of a subculture to the mainstream the edited volume repositions 'otaku' in specific historical social and economic contexts providing new insights into the signif.